NATIONAL CHOREOGRAPHY AWARD ADE 1996
NATIONAL DANCE AWARD 2002 (Creation)
SEVEN ‘GIRALDILLO’ AWARDS, BIENNALE OF ARTE FLAMENCO
CRITICS’ AWARD FOR BEST SHOW, XV BIENNALE OF ARTE FLAMENCO
LÉONIDE MASSINE AWARD, 2004 ITALY
VI ‘FLAMENCO HOY’ PRIZE, 2005 (Performer and Show)
CULTURA VIVA AWARD 2006 (Dance)
PREMIO CULTURA 2007, from the COMMUNITY of MADRID
AUDIENCE’S AWARD, JEREZ FESTIVAL 2009
MEDAL from the COMMUNITY of ANDALUCIA 2011
INTERNATIONAL TERENCI MOIZ AWARD 2011
‘BUTACA’ PRIZE 2011, for the BEST SPANISH THEATRICAL PRODUCTION
AUDIENCE’S AWARD, JEREZ FESTIVAL 2012
Maria Pagés was born in Sevilla. She is internationally renowned for her personal aesthetic concept of the art of flamenco. Comprehending that Art has no limits, she has conquered a place in her own right in the global dance panorama.
Using the fundamental codes of the Flamenco language, researching within and beyond this language, Pagés has proved to be a pioneer in the understanding of Flamenco as an Art in evolution, contemporary and alive. She has overcome cultural differences in her choreographies, convinced that artistic interchange favors better understanding between human beings. In her own words, Flamenco is a clear example of how the union of cultures, races and religions, can create a common echo.
In 2002 she was awarded the National Prize for Dance (Creation) and the ADE Choreography Prize in 1996. She is awarded the 2004 Léonide Massine Prize, for ?L’Arte della Danza “Al Valore”, seven ‘Giraldillo’ Prizes in the Seville Flamenco Art Biennale and the 2007 prize for Culture from the Community of Madrid, amongst many other distinctions and awards.
She started her professional career in the Antonio Gades Company. Highlights of her movie collaborations are her participation in ‘Carmen’. ‘El Amor Brujo’ and ‘Flamenco’, all directed by Carlos Saura. ‘Burlerias’(1996), ‘La Tirana’ (1998), ‘Flamenco Republic’ (2001), ‘Canciones, Antes de una Guerra’ (2004), ‘Sevilla’ (2006), ‘Autorretrato’ (2008), "Flamenco y Poesía" (2008), ‘Dunas’ (2009) ‘Mirada’ (2010) and "Utopía" (2011) . In 2002 Pagés creates a choreography for the Spanish National Ballet, ‘Ilusiones F.M.’
During those years María Pagés and her company have been present on the best and most prestigious stages around the world and has promoted benefit shows in countries such as India, Mozambique, Mexico and Honduras. In October 2005, the Maria Pagés Company was responsible for the inauguration act of the Ibero-American Summit celebrated in Salamanca. The opening act included the premiere of the choreography created for a poem written by Jose Saramago: Ergo uma rosa.
In 2007 Mikhail Baryshnikov invited Maria to dance at the Baryshnikov Arts Center (BAC) in New York, this project reached completion with a creation by the choreographer, in residence in the BAC.
In October 2009, the Teatro Real in Madrid included the María Pagés Company in it’s dance season program. Pagés has also collaborated with the tenor, Plácido Domingo, in Plácido y la Copla. This same year sees the premiere of Dunas, created with the choreographer Sidi Larbi Cherkaoui, in which they share Flamenco and Modern Dance, establishing a dialogue full of poetical content. In 2010, Pagés directs the Inauguration Gala of the Spanish Presidency of the European Union, which took place in the Teatro Real in Madrid. Pagés shares stage with Tamara Rojo and creates a special choreography that both dancers perform together with the Spanish National Choir. During this same year Soleá Pas de Deux was premiered with great success in the New York City Center – with a choreography created by Maria Pagés for Ángel Corella.
Mirada is premiered in Seville, as the closure of the season at the Teatro de la Maestranza in June 2010, unanimously acclaimed by both critics and audience.
Pagés’ latest project, Utopia, premiered at the Niemeyer Center in Avilés, Spain, in October 2011, is an ethical and aesthetic reflection on yearning, nonconformity and the human capacity for dreaming of themselves living in a better future.